You only need to use both to understand why.
Full frame vs micro four thirds low light.
Full frame cameras are capable of capturing the most light and will almost always out perform an aps c or micro four thirds camera body under low light conditions.
Full frame vs crop pixel size let s take a look at the full frame canon 5ds which is a 50 megapixel camera.
That means this crop body actually has bigger pixels than the full frame 5ds.
I actually would predict olympus will possibly pull out of this format they ll deny it of course which will eventually disappear as full frame and medium format mirrorless cameras will be reduced in sizes close to mft.
In this article i want to talk about the controversial debate about full frame versus micro four thirds format.
They ve compared medium format full frame aps c and micro four thirds in a side by side shootout taking identical photos and making large prints to see how the image quality and dynamic.
You can read a lot about this across the internet.
To get the equivalent depth of field you similarly divide aperture by 2.
The relatively small four thirds sensor format experienced a big hype not only since olympus published it s best seller om d e m5 in early 2012.
A 50mm lens on full frame is 25mm on micro four thirds.
The latest sensor technology such as bsi cmos sensors give an advantage here as do cameras.
I now know olympus and micro four thirds will just never cut it versus full frame.
The nikon d7000 is a 16 megapixel 1 5x crop aps c sensor with a pixel size of 4 7 microns.
That means it has a pixel size of 4 1 microns.
As sensor technology has improved and photographers needs have evolved there s a good argument to be made that the aps c format checks more boxes than either full frame of micro four thirds.
Micro four thirds sensors don t perform well under low light conditions where the iso needs to be cranked up to say above 2000.
For low light photography you need a camera with a large sensor and bright lens f 1 2 f 1 4 f 1 8.